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AMAYRA STUDIOS is a business-oriented Digital Media Company. Our team has more than 15 years of experience in providing the services for Augmented Reality (AR), Virtual Reality (VR), and Mixed Reality (MR), E-learning Solutions, 3D simulation, Digital Marketing Enabled Services, Post-Production, and IT solutions.

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Digital-Desk Rendered

Even though “Magical Sky” is a reality, you may not be able to capture and render that on-screen every time. And the perfect entrance of your hero may need a trim of a couple of frames to excite your audience. To keep your production budget within control and to get that perfectly timed shots, you have to bank on digitization.

With nearly 5,000 movies released every year, it’s difficult to keep pace without the help of your digital post-production unit. They make sure you get your desired effect, fast, all the time.

In a paradoxical world where competition infiltrates creativity, you need to partner with a team that are experienced, competent, and sensitive to your timeline.

Luckily we are one.

Video Editing

Stories are written and then recreated on an editing table. The cuts, the set up of an in-point or out-point, and then the rearranging of the footage makes your audience sit at the edge of their seats.

The task is more limiting than a writer. A writer gets to play with a little more than 2.1 hundred thousand words. Whereas, an editor only gets a few hundreds of clips to retell a story as closely as possible to the unique imaginations of every individual in a sitting room or a theater hall.

Besides, it’s not all that creative all the time. When it comes to documentaries or corporate videos that limit the production crew from being creative in the first place, the responsibility to communicate information in a captivating manner finally rests on the editing table.

It’s no wonder that an editor spends hours identifying and placing the right transitions. Because that’s what binds the events, that’s what tells a story.

Color Grading & Color Correction

“Grayscale” is historic, “sepia” is nostalgic, and “color” is cheerful. These pigments come together to mark a leaving impression in the minds of your audience - be it board rooms or cinema halls.

Colors, if not corrected properly not only loosen the bind of a tight story but also lose your audience for good. Therefore, irrespective of the format, the basic tenets of color correction still find their way in a visual narrative.

More importantly, when sound is suppressed, all your visual is left with is the color to evoke the emotion a writer crafted with the words. Need we say more to reinstate that a picture, with colors, is still worth a thousand words.

Dubbing

When it comes to feature films or video content, you can’t compromise on the clarity of the dialogues. Every vowel - long or short - every consonant needs proper articulation to ensure the dialogues are clearly understood.

It becomes even critical when you intend to present your film or video to a foreign language audience. You don’t want to mar the frames with subtitles, but you want your audience to get the story. In such a scenario you rely heavily on dubbing the film in the language of your audience. Besides, you can’t depend on flawless natural and synchronized filming all the time. There are far more reasons than you can think of that can come in the way of synchronized filming. To eliminate the unwanted noise during filming, you finally rest on dubbing.

It’s the only exit path you can offer your actors or narrators to express the emotions they truly wish to blend into the scenes your team has relentlessly put together.

Voice Over Recording

Picture plus 10 words worth 10 thousand 10 words. Even if most of the heavy lifting of the communication is done by the pictures, you can’t ignore those 10 words. Because those 10 words keep your audience riveted during a documentary or a commercial.

Although pronouncing the right words at the right moment on the right frame needs practice, the capturing and editing call for an equally adept skill.

If a purchase decision rests on the last four words, you would definitely want them to be stated without missing a beat.

Foley

Of course, you aren’t going to land a punch on your actor’s face to get that sound for your film, and for the following effect, you aren’t going to break bones either.

You will simply call for foley artists and sound recorder to get the job done for you so that you don’t get the summon. Besides those violent ones, you need the help of foley in most parts of your film, natural or eerie.

A perfect rendition of a sound that is difficult to capture, not only makes your life simpler but adds the impact that brings your visual story closer to life.

By the way, you may want to use celery to capture the sound of breaking bones - but hey, you know that already.

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